and Brilliant Vols. Hiwatt amps of this period, in general, featured Partridge transformers, point-to-point military spec wiring (courtesy of Harry Joyce), bell-like sound and “Spartan” reliability. That way we get a nice even sound. I ended up selling one to Kevin Kuhn who was the original guitar player for Tommy on Broadway. (Including Keith's Pictures of Lily-kit) Pete favored the Hiwatt amps and speakers from the late 1960's all the way through the 1982 era. Then we three showed up…”, Following major acts with more major acts…. document.write('Photo: Barrie Wentzell'); , 29 Sept. 1969, Amsterdam, Concertgebouw, rear view of amplifier setup. Guitar is SG Special. I said that I’d just stopped using Marshall amps at that time and was using a new rig called Sound City, which became HiWatt, and I said I thought Sound City were better. Ca. 1981, three CP103 amps in custom rack, topped with Roland rackmount Dimension D SDD-320 Chorus. Hand-wired, classic tube sound to rock any generation. All that should change is the amount of sustain, in my opinion. Photos of what appears to be a Hiwatt CP103 (unknown serial no. [CDATA[ The stage amplifier Pete Townshend used almost exclusively from 1969 to 1982. Then sold to a buyer in the UK who ended up selling it to MusicGround, Leeds, UK. // ]]> -->, 7 May 1967, Kristianstad, Sweden, Pete’s earliest known use of a Sound City L100 amplifier (bottom, with Sound City badge), along with a Marshall 1959 Super Lead, topped by a Grampian Reverb unit. The Who mention Hiwatt amplifiers in the song "Long Live Rock". This was in 1998, before eBay, etc. I like a slightly broken guitar sound. PT: I’ve tried various speakers in the cabinets but I couldn’t tell you what’s in them now. // ]]> -->. , 2 Aug. 1968, the Singer Bowl, New York, with two customised Sound City L100 amplifiers, with four Sound City 200w 4×12s with herringbone grillecloth. Customised by Dave Reeves of Hylight Electronics. I used to use Fenders; I had a Fender Pro and a Fender Vibrasonic and a Fender Bassman top, and I used to drive Marshall 4×12’s with those amplifiers. ), likely from 1971, with “The Who” customisation, courtesy Robert Scholz. I obtained it from a music shop in Chelmsford, Essex. (Photo: Rick Giles) Histoire. Effects pedal is Univox Super-Fuzz. The amplifiers with black control panels in the photos below are actual Hiwatt Custom 100 DR103 100w amplifiers, customised to the CP103 specification four-volume control layout, though no “The Who” faceplate. Guitar is 1968 Gibson SG Special. And I use Roto-Sound heavy-gauge wirewound strings; they’re only available in England. These amps were customised for Pete and John by Dave Reeves of Hylight Electronics, the maker of Hiwatt amplifiers (and who originally worked at Sound City, a division of Dallas Arbiter), presumably to what would be the CP103 specification. [CDATA[ Guitar is SG Special. This collector used the new Hiwatt UK to sell it on consignment and I bought it earlier this year (2010). The amplifiers with black control panels in the photos here are actual Hiwatt CP103 amplifiers, with “The Who” faceplate, which Pete began using in early 1970. Click to view larger version. The treble is usually turned up considerably; the bass just a bit. 14 Feb. 1970, Leeds University, stage setup of Pete’s rig, one customised Hiwatt DR103 and two CP103 amps with four Hiwatt 4×12 cabs. Associated images are included for reference only and are the property of the original owner. Courtesy Rock Stars Guitars. It sounds fantastic with a 1969 SG Special plugged in and the volume cranked. 1970 . Ca. Pete had seven of these amps custom-built for him based on the Hiwatt DR103 design between 1969 and 19761973 — in at least three batches — by Dave Reeves of Hylight Electronics with the following factory modifications/differences from the DR103: Here are a few misconceptions about Pete’s Hiwatt amps: CP103 amp controls are, from left to right: The rear panel contains voltage and impedance selectors and two speaker output jacks. He used the CP103 on stage from early 1970 through the end of the Who’s primary touring career in 1982. Non-Whotabs links are provided for informational purposes only and are not controlled or monitored by Whotabs. His control over the wall of sound he creates is phenomenal, as is his command of dynamics – whether he’s playing a solo or arpeggiating in quick succession. document.write('Photo: Martin Bong, from “The Who In Sweden,” by Olle Lundin.'); . 10 Dec. 1968, the Rolling Stones Rock and Roll Circus rehearsals, with unbadged Sound City L100 amplifier head, with Hiwatt-style chicken head knobs, and the two 200w 4×12 cabinets are either Sound City 4×12 cabinets with Hiwatt badges or early herringbone grillecloth Hiwatt SE4122 cabinets. // ]]> -->. 1982: Pete’s Hiwatt rig with four MESA/Boogie 4×12 cabinets. 892 and SE4123 stack close-up, courtesy Brad Rodgers, whocollection.com. In mid-1968, he used Sound City’s 200w 4×12 cabinets, with some rebadged to Hiwatt by late 1968. By the end of the set, the amps are full on.”. I set my guitar about two-thirds on, and then at the end I turn it full up. Pete Townshend is the boss ! Vous cherchez un Hiwatt 70' désespérément !? He began using the Hiwatts model after using modified Sound City L100 SC105 amplifiers with Hiwatt badges, which he used beginning late 1968. [CDATA[ Amplifiers are three Hiwatt CP103s, topped with Roland SDE-2000 DDL digital delay rack unit. Onstage we start off at volume 2, maybe 2½. 1, 2, 3, 4, Treble, Bass, Master Volume. Associated images are included for reference only and are the property of the original owner. I don’t know if they’re JBLs or Altecs or what. Click images to view larger versions Photos courtesy Mark Huss’ Hiwatt Legacy: hiwatt.org. This amplifier appears to be similar or identical to the CP103 amplifiers that Pete used from 1971 though it has not been verified as an actual Who-owned unit. Pete Townshend’s Hiwatt Cabinet 2 . They were just beginning to get trendy in the U.S., and were selling for about $500–600, so this was double the going rate, and a lot of money for me at the time. Built or customised by Dave Reeves of Hylight Electronics. Probably, but it did get me a new guitar and complete amp/speaker setup! Gilmour de Pink Floyd, Pete Townshend des Who et beaucoup d’autres en sont des aficionados. 10 March 1968, Peoria Opera House, Illinois, with two Sound City amps and miscellaneous (Sound City?, Marshall?) PT: I use the input full up to get the distortion and then turn the guitar down to control the amount of distortion from the guitar. document.write('Photo: Steve Granitz'); Photos courtesy Steve. I thought Marshalls were awful, and I’m afraid I still do, although that’s just a personal opinion. Description : Aux côtés des Marshall, Matamp, Orange et Vox, Hiwatt est une légende des amplis british. The Who mention Hiwatt amplifiers in the song "Long Live Rock". // ]]> -->. Hiwatt CP103 . If you have additional information, please contact Whotabs. Guitar is double-bound sunburst Giffin Telecaster. Pete Townshend. 1981, three Hiwatt CP103 amps in custom rack, topped with Roland Dimension D SDD-320. This site works best with JavaScript enabled. This amp was sold on auction at Christie’s of London, May 1995, and is now display at the Hard Rock Museum in Orlando, Fla., USA. Discover what's missing in your discography and shop for Hiwatt releases. Rotosound strings. A 1970 Hiwatt CP103 amplifier, serial no. 4 photos. [/quote] Makes me kind of glad that I got my rig when I did - 15 years ago - for about half of the above price. . The Americans couldn’t believe it. Three prototype (no “The Who” on control panel) CP103 amps, ca. . This amplifier appears to be similar or identical to the “prototype” pre-CP103 four-channel customised Hiwatt DR103 amplifiers that Pete and John used from mid-1969 to early 1970. (1,432, Roland rackmount Dimension D SDD-320 Chorus, pre-CP103 four-channel customised Hiwatt DR103 amplifiers, vintageamps.com/plexiboard/viewforum.php?f=3, Pete Townshend Gear History – Full timeline, 1956 Gibson Les Paul Custom “Black Beauty”. A 1971 or 1972 Hiwatt CP103 amplifier, owned by Brad Gray. Le son vintage Hiwatt pour 1200€ avec garantie de 3 mois ! Who-roadie Bill Harrison gives reporter Den Hegarty a small tour of The Who's equipment during their '79 tour. . Anyway, Yes the Reeves could be a good choice. Guitar is Les Paul Deluxe. In this setup, the guitar signal runs from the guitar, to the effect pedal sitting in front of the amplifiers (next to the drumkit), out to a junction box mounted to the side or back of the rack unit, which splits the signal out to the two active amplifiers. Do I regret it? So we all arrived in the States within a couple of months of each other with this formidable weaponry, used in different ways. // ]]> -->, Click to view larger version. I use a vertical stack but the bottom ones are dead, they’re dummies. I'm thinking "Made For" means not "Owned by Pete Townshend" and not "Played by Pete Townshend" - otherwise they would have definitely used one of the other phrases And I don't think any of those designations make this a $15k amp . Instrument De Musique : Flûte Traversière - Hiwatt / Ecouvillon. , Ca. Courtesy Mark Herman. cabs. Over the years, Pete Townshend has used many types of amplifiers, including Vox, Selmer, Fender, Marshall, Hiwatt etc., sticking to using Hiwatt amps for most of four decades. General Timeline of Pete’s Sound City amps 1967–68 Sound City L100 SC105 document.write('Photo: John Rettie, courtesy thewho.org.'); Pete Townshend a été aussi le premier à placer des boucles sonores de synthétiseurs sur des chansons rock (album Who's Next en 1971, Won't Get Fooled Again et Baba O'Riley) et à écrire des opéras rock (la chanson A Quick One, While He's Away en 1966, préfigurant Tommy en 1969). I never, ever used a stack with one amplifier until I got into Hiwatts, and I didn’t use Marshalls very long. Click image to view larger version. 1967, close-up of two of John’s Sound City L100 customised control panels, showing control configuration, from left to right: four inputs, Vols. “Hiwatt specifically redesigned the existing Fane 12-inch speaker to replicate and recreate the tone of the original 72-74 Hiwatt/Fane,” he said, noting that the modern Fane speaker that was otherwise available was much higher in wattage rating and resulted in an excessively hard-sounding speaker. Ce cab de 1974 est de première main, tout est d’origine hormis les roulettes. They were unaware of what they had. God forbid I'd have to replace it. At least two made for Pete (plus others for John). Only the cord has been modified. Click to view larger version. Guitar is Fender Stratocaster. 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