Apply the varnish in a manner that allows it to be brushed out to the most uniform, thinnest film possible. The size of the piece to be varnished will determine the size of the varnish brush. This is a water based medium, so it cleans up easily. The use of such a removable varnish provides a valuable tool to anyone trying to restore or clean a painting. If vertical application cannot be avoided, as with a mural, it is extremely important that the varnish be thinly applied. To get started, you will need water-borne GOLDEN Gloss Polymer Varnish w/UVLS and either Fluid or High Flow acrylic Carbon Black. All other areas Recommended for interior use only Please refresh your browser and try again. The use of such a removable varnish provides a valuable tool to anyone trying to restore or clean a painting. Golden Acrylic Polymer Varnish with UVLS, 16 oz, Gloss. In either case, it is better to apply two or three thin coats with sufficient drying time in between, rather than one thick coat of varnish. Work in an area free of dust and dirt and keep work off the ground when spraying. Polymer Varnish (Satin) offers moderate reflection, similar to most matte varnishes. The size of the surface to be sprayed will determine the best type of spray equipment to use. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. The proper way to thin Polymer Varnish for brush applications. 1-2 ... GOLDEN Archival Varnish or GOLDEN Polymer Varnish may be applied over the isolation coat. Mentally divide the work into regions to be covered by each loading of the brush. Paint applied over the varnish would also be potentially removable, and would pose a difficult problem in conservation or restoration attempts. Removable with ammonia. 4.6 out of 5 stars 30 ratings. Let varnish cure several days before packing or transporting art. Removable with ammonia. Golden Polymer Varnish remains soluble in alkaline solvents, such as ammonia. There is also a difference between varnishing a painting on canvas or board versus varnishing a drawing on paper. *Free Shipping Offer valid for single package non-oversized shipments over $100.00 (after all applicable coupons have been applied) and under 20 lbs. Other methods, such as sponging or rolling, are not recommended, as they may result in problems such as: foaming, loss of film clarity, non-uniform coverage, excessive film build, sagging, or deposition of materials from the application tool. When the matting agent is deposited onto the surface, and is not a part of a continuous varnish layer, it appears as a white solid. gelatine. NEVER STACK PAINTINGS, whether varnished or not. It is removable with ammonia and available in Gloss, Satin and Matte. If brushing 2-3 coats are recommended and 4-6 coats if spray applied. With Ultra Violet Light Stabilizers. If you think a gloss, satin or matte finish would complement your art and make it look more complete, a varnish may be just for you. Brush over fixed watercolor using a soft broad brush that holds a lot of material. Available in gloss… Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic polymer varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. Matte Medium can be applied as a final, non-removable top coat for acrylic paintings. Maintain uniform distance from the surface, and avoid the tendency to use an arcing motion. Release the spray trigger if the motion of the airbrush is stopped during application in order to avoid an uneven build of varnish in one spot. 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