Through drawing, diagramming, collaging, and modelling, this research project has investigated how the significant changes within the streetscape impact the social dynamics and existing community culture of Footscray. However, rather than being held hostage by consumerism, it is time to reconsider our desire and true value of products. Associate Dean Interior Design. Through research and creative exploration into everyday home[making] practices, At [in a] Home emphasises the importance of practicing everyday routines, habits, rituals and embodied gestures that enables us to produce selfhood[1] and place. Within Melbourne, we are confined within our 5KM radiuses thus the sounds of our public and private spaces are remixed and re-imagined. Students experiment through project-based learning in the design of new conditions of ‘interior’ and are able to map their own pathway through the 4 years, which culminates in a self-driven final year project. Theatre Archive is a research-based project that aims to produce a series of recorded narratives centred around this current year (2020). By utilising the suns path during the day, a living rainbow of natural light, combined with artificial lighting, gradually shifts with the daily routine and programming of the space. Leading by example to generate conversation around gardening, composting and reduction of consumption it is hoped that this will foster broader neighbourhood engagement with bigger issues like the regeneration of coastal areas, restoring of biodiversity and caring for local ecosystems. Undoubtedly, the project smears out the boundary of living in a private and public space in compact cities. Through material investigations and research into Japanese techniques of Kintsugi, the design celebrates the beauty of the parkland before it was destroyed. Situated on an existing vacant lot the site will be revegetated with indigenous flora. Time to sit still is limited and boredom commonly avoided. This project starts from a self that has been deeply invaded by technology, I spend most of my time engaged with various technologies and facing the different screens that are the portal to virtual spaces. The research explores and responds to material through intervening with material to incite activation, framing and interaction. The exhibition-event INDEX is an opportunity to share the outcomes of their commitment and celebrate the exciting potential of their interior design practice. 13 – 18 November. For me, extensive periods of isolation have resulted in a deep immersion in the transient ephemera of interiors and a disconnection from the outside world. If someone had said at last year’s INDEX that I would be giving a speech as an avatar and that INDEX would be on a server located in Tokyo being powered by electricity from Japan; that we would arrange and install an exhibition of the work of 76 students in a virtual interior composed of micro-environments - I would not have believed them. The development the design process has come from others and my own material testing as well as application of theoretical ideas of unlearning and concepts of interiority. The events respond to the growth cycle of the blackberry plant, organically developing and evolving over time. How can we intensify, activate, and intervene into these experiences, and how do we practice an openness to allow these sometimes-subtle shifts to affect our encounters and experiences within these interiors? RMIT Ceramics. Due to the nature of this building, the experience and processes remain strictly confidential to the outside world. Associate Degree in Interior Design RMIT University 2016. It is an experimental interior to inhabit and celebrate, a becoming of exhibition, event and celebration. From these associations with the existing materiality, new possibilities arise from the site. It would have seemed such an impossible transformation in a short period of time. This exhibition will rupture the way we navigate through space and reframe the encounter of art, finding new relationships between art pieces and body. Speed has been at the core of capitalist values such as productivity, efficiency and consumption. They attempt to shed light, collectively bringing people together while apart and foster a platform for performance. Through the organization of materials, ephemera and program, the artist residency performs a way for sensations with the Landscape to be experienced in an intensified manner. This project is an assemblage of materialities and narratives as it responds to existing conditions which are re-presented back into the site to draw out the past histories coalesced with existing conditions. Korean artist and philosopher Lee Ufan’s idea about “Infinity as something we don’t understand” and of the unknowable dimension of experience have been a significant inspiration to me, and pushed me to ask how exhibition design can embody these concerns and communicate to audiences potential solutions. The project comprises a series of embodied site-specific responses offering a commentary on the potential value a designer can access while working with fragments of the existing. 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