", "The 100 Best Horror Movies Ever Made (Ranked)", "The Classics: John Carpenter's 'Apocalypse Trilogy, "Revisiting the Sequel to John Carpenter's The Thing", "A beginner's guide to John Carpenter, Master of Horror", "The Thing shows how non-metaphoric monster movies come down to craft", "Cool Horror Gear: SOTA's Now Playing The Thing Spiderhead Mini-Bust", https://en.wikipedia.org/w/index.php?title=The_Thing_(1982_film)&oldid=998361691, Films based on science fiction short stories, Short description is different from Wikidata, All Wikipedia articles written in American English, Pages using Sister project links with wikidata mismatch, Pages using Sister project links with hidden wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 January 2021, at 01:19. 0. Among the charred ruins and frozen corpses, they find the burned remains of a malformed humanoid which they recover to the American station. The first Predator film establishes that the creature's mask acts as a sort of infrared filtration unit designed to highlight living things while dampening the heat of the surrounding jungle. "John Carpenter Q&A: Why 'Halloween' Didn't Need Sequels & What Scares The Master Of Horror. 6.6.2020 5:00 PM. [73], The plot was criticized as "boring",[74] and undermined by the special effects. Werewolf And More!! [20], Art director John J. Lloyd oversaw the design and construction of all the sets, as there were no existing locations used in the film. Comment. | Find trailers, reviews, synopsis, awards and cast information for The Thing (1951) - Christian Nyby on AllMovie - The scene is a distant Arctic research station,… Paleontologist Kate Lloyd (Mary Elizabeth Winstead) has traveled to the desolate region for the expedition of her lifetime. [72] Starlog's Alan Spencer called it a "cold and sterile" horror movie attempting to cash in on the genre audience, against the "optimism of E.T., the reassuring return of Star Trek II, the technical perfection of Tron, and the sheer integrity of Blade Runner". Everyone passes the test except Palmer, whose blood jumps from the heat. [56][10] Slime from the puppet would leak onto Anderson during the two days it took to film the scene, and he had to wear a helmet to protect himself from the explosive squibs simulating gunfire. [41][54], In the "chest chomp" scene, Dr. Copper attempts to revive Norris with a defibrillator. [76][73] Spencer was critical of Carpenter's direction, saying it was his "futile" attempt to give the audience what he thinks they want and that Carpenter was not meant to direct science fiction, but was instead suited to direct "traffic accidents, train wrecks, and public floggings". [181] SOTA Toys released a set featuring a MacReady figure and the Dog-Thing based on the film's kennel scene,[182] and a bust of the Norris-Thing's spider-head. He surprised me, he said – "I got married to your music. Ennio Morricone composed the film's score, as Carpenter wanted The Thing to have a European musical approach. As well as including previous features such as the commentary and Terror Takes Shape, it added interviews with the cast and crew, and segments that focus on the music, writing, editing, Ploog's artwork, an interview with Alan Dean Foster, who wrote the film's novelization, and the television broadcast version of The Thing that runs 15 minutes shorter than the theatrical cut. [118] Grey said that MacReady represents a more traditional Hollywood film protagonist, but Blair represents the Lovecraftian protagonist, who succumbs to his fear of the creature, is driven insane by the implications of its nature, and eventually becomes what he fears. Blair grows paranoid that the creature could assimilate all life on Earth in a matter of years. "Check out John Carpenter's meticulous production designs for The Thing", "Even Shape-Shifting Aliens Will Love This Gorgeous Art Inspired by John Carpenter's The Thing", "The Mysterious Ending of John Carpenter's The Thing May Finally Have an Answer", "The 25 best movie endings of all time, from Casablanca to Avengers: Infinity War", "Empire's The 500 Greatest Movies of All Time", "John Carpenter's 'Anthology: Movie Themes 1974-1998' Resurrects the Horror Master's Classic Music", "25 Body Horror Movies That Make Our Bones Hurt", "The 50 Greatest Sci-Fi Films Of All Time", "Paranoia, claustrophobia, lots of men: how The Thing inspired Tarantino's Hateful Eight", "John Carpenter's 'The Thing' at EW's CapeTown Film Festival", "Readers' Poll: The 10 Best Horror Movies of All Time", "Cosmic Horror In John Carpenter's "Apocalypse Trilogy, "Dungeons & Dragons' next campaign mashes The Thing with a hellish take on Frozen", "10 essential records that show how Ennio Morricone revolutionised the film soundtrack", "The Themes of John Carpenter's Apocalypse Trilogy", "John Carpenter's Apocalypse trilogy: a look back", "The Thing About The Hateful Eight: John Carpenter's Influence on Tarantino's Latest", "John Carpenter's The Thing Finally Gets the Blu-ray Treatment It Deserves", "Quentin Tarantino Reveals 'Hateful Eight' Score Features Unused Music By Ennio Morricone From John Carpenter's 'The Thing, "The Thing's video game sequel got everything right except the Thing", "Hollywood Mystery, Solved: 29 Movie Head-Scratchers Explained", "The 36 Things We Learned From John Carpenter's 'The Thing' Commentary Track", "John Carpenter: analysing his style and growing influence", "The Thing's missing blow-up doll and other deleted scenes", "Examining the critical reaction to The Thing", "John Carpenter's The Thing Had An Icy Critical Reception", "Films That Led To Other Films Being Cancelled", "The 25 best sci-fi movies that are out of this world", "1. Identifying the Thing requires intimacy, confession, and empathy to out the creature, but masculinity prevents this as an option. Helicopter pilot R.J. MacReady sets out to find the answers to exactly that. [8] Carpenter, a fan of Hawks's adaptation, paid homage to it in Halloween, and he watched The Thing from Another World several times for inspiration before filming began. [32] Canby and Arnold said the creature's lack of a single, discernible shape was to its detriment, and hiding it inside humans made it hard to follow. [139] Numerous publications have ranked it as one of the best science fiction films, including number four by IGN (2016);[140] number 12 by Thrillist (2018);[141] number 17 by GamesRadar+ (2018);[142] number 31 by Paste (2018);[143] number 32 by Esquire (2015) and Popular Mechanics (2017);[144][145] and number 76 by Rotten Tomatoes (2017) based on its average review score. "[159] It has been referred to in a variety of media, from television (including The X-Files, Futurama, and Stranger Things) to games (Resident Evil 4, Tomb Raider III,[133] Icewind Dale: Rime of the Frostmaiden,[160] and Among Us)[161] and films (The Faculty, Slither, The Mist). The story centers around the wealthy, land-owning, Syrian Christian Ipe family of Ayemenem, a town in Kerala, India. [33] The only female presence in the film is the voice of MacReady's chess computer, voiced by Carpenter's then-wife Adrienne Barbeau. [53] When Bottin joined the project in mid-1981, pre-production was in progress, but no design had been settled on for the alien. [49] He also played the score from Escape from New York for Morricone as an example. [20][36] The team considered building the sets inside an existing refrigerated structure, but were unable to find one large enough. The plot of little things revolves around a murder mystery. [110][111][112] Fundamentally, the film is about the erosion of trust in a small community,[113] instigated by different forms of paranoia caused by the possibility of someone not being who they say they are, or that your best friend may be your enemy. [183] In 2017, Mondo and the Project Raygun division of USAopoly released The Thing: Infection at Outpost 31, a board game. [80] Conversely, Denby called them more disgusting than frightening, and lamented that the trend of horror films to open the human body more and more bordered on obscenity,[74] Spencer said that Bottin's care and pride in his craft was shown in the effects, but both they and Schickel found them to be overwhelming and "squandered" without strong characters and story. [8] Lancaster said he found some difficulty in translating Who Goes There? The internal sets were climate-controlled to 28 °F (−2 °C) to facilitate their work. The reaction from the exclusively male exhibitors was generally positive, and Universal executive Robert Rehme told Cohen that the studio was counting on The Thing's success, as they expected E.T. The helicopter has Norwegian markings, must be from the Norwegian base not too far from their own. This is why I've called you." See Plot Diagram Summary. [179], In 2000, McFarlane Toys released two "Movie Maniacs" figures: the Blair-Thing[180] and the Norris-Thing, including its spider-legged, disembodied head. Carpenter considered this a suggestion that he lower his expectations of the film's performance. For the rest of the set, Cundey created a contrast by lighting the interiors with warmer lights hung overhead in conical shades so that they could still control the lighting and have darkened areas on set. Tom Atkins and Jack Thompson were strong early and late contenders for the role of MacReady, but the decision was made to go with Russell. Carpenter attempted to make a last-minute change of the film's title to Who Goes There?, to no avail. [169] In 2011, The New York Times asked prominent horror filmmakers what film they had found the scariest. He completed it in 24 hours, based only on a briefing, knowing little about the film. [8][45] Universal executive Sidney Sheinberg disliked the ending's nihilism and, according to Carpenter, said, "Think about how the audience will react if we see the [Thing] die with a giant orchestra playing". A team of Americans are sent to the Norwegian base and find out what has happened. Anderson pulled the tentacles into the Dog-Thing and reverse motion was used to create the effect of them slithering from its body. [34] Camera operator Ray Stella stood in for the shots where needles were used to take blood, telling Carpenter that he could do it all day. He hypothesizes that the Norris-Thing's head demonstrated that every part of the Thing is an individual life form with its own survival instinct. [78][74][32] Ebert and Denby said that The Thing seemed derivative compared to those films, which had portrayed the story in a better way. Among Us & Carrion Prove We Need More John Carpenter In Video Games. [76] Spencer said it featured sloppy continuity, lacked pacing, and was devoid of warmth or humanity. Discussions with the studio involved using actors Christopher Walken, Jeff Bridges, or Nick Nolte, who were either unavailable or declined, and Sam Shepard, who showed interest but was never pursued. [155] Contemporary review aggregation website Rotten Tomatoes offers an 85% approval rating from 66 critics—an average rating of 7.44/10, which provides the consensus, "Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects. Some passed on the idea of starring in a monster film, while Dennehy became the choice to play Copper. [1], — John Carpenter in 2008 on the contemporary reception of The Thing[69], The film received negative reviews on its release, and hostility for its cynical, anti-authoritarian tone and graphic special effects. Comment. In the spring, the characters are rescued by helicopter, greeting their saviors with "Hey, which way to a hot meal?". [92], While The Thing was not initially successful, it was able to find new audiences and appreciation on home video, and later on television. By the time Morricone flew to Los Angeles to record the score, he had already developed a tape filled with an array of synthesizer music because he was unsure what type of score Carpenter wanted. Universal's production studios estimated that it would require at least $17 million before marketing and other costs, as the plan involved more set construction, including external sets and a large set piece for the original scripted death of Bennings, which was estimated to cost $1.5 million alone. the Extra-Terrestrial to play Clark. The film found an audience when released on home video and television. They are trying to kill a dog that has escaped from their base. [54] Bottin's crew also included mechanical aspect supervisor Dave Kelsey, make-up aspect coordinator Ken Diaz, moldmaker Gunnar Ferdinansen, and Bottin's longtime friend Margaret Beserra, who managed painting and hair work. They became almost a movie in themselves, and were a little too horrifying. It will tease you with all the twists that keep you wondering and wanting for more. [54], In designing the Thing's different forms, Bottin explained that the creature had been all over the galaxy. [62] While finalizing the film, Universal sent Carpenter a demographic study showing that the audience appeal of horror films had declined by 70% over the previous six months. The decision was made to tone down the color of the blood and viscera, although much of the filming had been completed by that point. [38] After watching a roughly assembled cut of filming to date, Carpenter was unhappy that the film seemed to feature too many scenes of men standing around talking. Production began in the mid-1970s as a faithful adaptation of the novella, following 1951's The Thing from Another World. But I needed a job. Exhausted and slowly freezing to death, they acknowledge the futility of their distrust and share a bottle of scotch. Lancaster said that 37 was excessive and would be difficult for audiences to follow, leaving little screen time for characterization. The story moves forward 23 years, where the Thing escapes in New Mexico, and follows the attempts at containment. The five parts work together to build suspense, and flow together smoothly to create a unified story line. The helicopter pursuing the dog explodes, eventually leaving no explanation for the chase. The producers discussed various replacements including Walter Hill, Sam Peckinpah and Michael Ritchie, but the development of El Diablo was not as imminent as Carpenter believed, and he remained with The Thing. Some analysts blamed Universal's poor marketing, which did not compete with the deluge of promotion for prominent films released that summer. Carpenter disowned this version, and theorized that Sheinberg had been mad at him for not taking his creative ideas on board for the theatrical cut. [75], The Thing was often compared to similar films, particularly Alien, Invasion of the Body Snatchers (1978), and The Thing from Another World. [75] The Los Angeles Times's Linda Gross said that The Thing was "bereft, despairing, and nihilistic", and lacking in feeling, meaning the characters' deaths did not matter. [4] Stark also said that he "contributed greatly to the [screenplay]". Hates the cold. [42][43], Carpenter filmed multiple endings for The Thing, including a "happier" ending because editor Todd Ramsay thought that the bleak, nihilistic conclusion would not test well with audiences. The components of plot are like puzzle pieces. Carpenter added this partly to establish what was happening in the story, and because he wanted to highlight Russell's heroic character after taking over the camp. Nowadays intense and … [42] Carpenter struggled with a method of conveying to the audience what assimilation by the creature actually meant. Joining a Norwegian scientific team that has stumbled across an extraterrestrial ship buried in the ice, she discovers an … [41] It took 50 people to operate the actual Blair-Thing puppet. [73] Ansen said that "atrocity for atrocity's sake" was ill-becoming of Carpenter. [19] Filming then moved to the Universal lot, where the outside heat was over 100 °F (38 °C). In the midst of the Antartican snowfield, the scientists and workers of a small American research base are shocked when a helicopter begins to circle their camp, chasing and shooting at a dog. The original is subsumed by an alien copy that is virtually impossible to identify. [8][17] Lancaster wrote this ending, which eschews a The Twilight Zone-style twist or the destruction of the monster, as he wanted to instead have an ambiguous moment between the pair, of trust and mistrust, fear and relief. The station implements controls to reduce the risk of assimilation. MacReady is forced to kill Clark in self-defense when the latter lunges at him from behind with a knife. Peter drifts farther away from Bea the closer he gets to the Oasans. The Thing is a 1982 American science fiction horror film directed by John Carpenter and written by Bill Lancaster. The team debate whether to allow MacReady inside, but he breaks in and holds the group at bay with dynamite. When the mask is removed, the creature sees the … Nyby said, "If you want blood, go to the slaughterhouse ... All in all, it's a terrific commercial for J&B Scotch". [72], The Thing from Another World actor Kenneth Tobey and director Christian Nyby also criticized the film. [24] The Thing was David's first significant film role, and coming from a theater background, he had to learn on set how to hold himself back and not show every emotion his character was feeling, with guidance from Richard Masur and Donald Moffat in particular. An arm from the Thing is retrieved. [14] After one market research screening, Carpenter queried the audience on their thoughts, and one audience member asked, "Well what happened in the very end? They soon discover that this task will be harder than they thought, as they don't know which members of the team have already been assimilated and their paranoia threatens to tear them apart. [53] One abandoned idea included a series of dead baby monsters, which was deemed "too gross". While both aspects are present in MacReady, their absence in Childs has been explained as a technical issue with the filming. Those were the best principles I was ever taught. | "[44] According to Cundey, Bottin was very sensitive about his designs, and worried about the film showing too many of them. But at its most basic, plot is If you want your reader to see the final picture, you need to see the shape of each component and fit them into their proper place. The attraction included MacReady and Childs, both held in stasis, the Blair-Thing and the outpost kennel. During the encounter, Norris appears to suffer a heart attack. On arrival, they find that the place has been totally destroyed. Instead, he delivered a lengthy speech about the character being a stereotype, after which the meeting ended. The Americans witness the Norwegian passenger accidentally blow up the helicopter and himself. Rotten Tomatoes® Score 85% 92%. The Thing does do quite a few things well, though. His left hand is not seen for the first half of the film. [1], Others blamed an oversaturation of science fiction and fantasy films released that year, including Conan the Barbarian ($130 million), Poltergeist ($121.7 million), Mad Max 2 ($34.5 million), Star Trek II: The Wrath of Khan ($97 million), and Tron ($33 million). Carpenter opted to end the film with the survivors slowly freezing to death to save humanity from infection, believing this to be the ultimate heroic act. After Norwegian researchers discover an alien ship buried in the ice, paleontologist Kate Lloyd (Mary Elizabeth Winstead) joins the team at the isolated Arctic outpost to investigate. The assistants then had to run to a safe distance while seven cameras captured the base's destruction. He also opted to alter the story's structure, choosing to open his in the middle of the action, instead of using a flashback as in the novella. Carpenter blamed some of the issues on his directorial method, noting that several scenes appeared to be repeating events or information. Two, John Sayles and Edgar Wright, cited The Thing. the Extra-Terrestrial, respectively. Arouse pity and then have a catharsis. The scene involved a fire effect, but the crew were unaware that fumes from the rubber foam chemicals inside the puppet were flammable. [18] Bottin said the pressure he experienced caused him to dream about working on designs, some of which he would take note of after waking. [80] Arnold considered The Thing as the end result of Alien raising the requirement for horrific spectacle. They soon come to realize Something horrible happened there. [53] As part of the Thing's design, it was agreed anyone assimilated by it would be a perfect imitation and would not know they were the Thing. He worked with Panasonic and a few other companies to develop a camera capable of automatically adjusting light exposure at different film speeds. The Thing; The Thing. Childs returns, saying he became lost in the storm while pursuing Blair. Parents Guide, Films everyone knows I will get to one day. [30] On its opening day, a special screening was held at the Hollywood Pacific Theatre, presided over by Elvira, Mistress of the Dark, with free admission for those in costume as monsters. 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[25] Powers Boothe,[2] Lee Van Cleef, Jerry Orbach, and Kevin Conway were considered for the role of Garry, and Richard Mulligan was also considered when the production experimented with the idea of making the character closer to MacReady in age. Blair autopsies the new creature and learns that it can perfectly imitate other organisms. [35] Cundey pushed for the use of anamorphic format aspect ratio, believing that it allowed for placing several actors in an environment, and making use of the scenic vistas available, while still creating a sense of confinement within the image. The Thing has spawned a variety of merchandise—including a 1982 novelization, haunted house attractions, board games—and sequels in comic books, a video game of the same name, and a 2011 prequel film of the same name. Fortunately, the answer is simple: you break plot down into its components. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. Make social videos in an instant: use custom templates to tell the right story for your business. [11], Geoffrey Holder, Carl Weathers, and Bernie Casey were considered for the role of Childs, and Carpenter also looked at Isaac Hayes, having worked with him on Escape from New York. There will be a lot of twists and turns that the audience will witness and will keep you all at the edge of your seats. Filming lasted roughly 12 weeks, beginning in August 1981, and took place on refrigerated sets in Los Angeles as well as in Juneau, Alaska, and Stewart, British Columbia. I Am the Pretty Thing That Lives in the House is a 2016 American-Canadian gothic supernatural horror film written and directed by Osgood Perkins.It stars Ruth Wilson as a live-in nurse who suspects her elderly employer's house may be haunted, and also features Paula Prentiss in her first major film role in 30 years. As soon as I started reading The Thing With Feathers by McCall Hoyle I was captivated and it held me all the way through. John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" They wanted reassurance that The Thing was a first-rate production capable of attracting audiences. [2], Bill Lancaster initially met with Turman, Foster and Cohen in 1977, but he was given the impression that they wanted to closely replicate The Thing from Another World, and he did not want to remake the film. This helped Masur's and Jed's performance onscreen, as the dog would stand next to him without looking for his handler. [45][46] It was set to go to print for theaters when the producers, Carpenter, and executive Helena Hacker decided that the film was better left with ambiguity instead of nothing at all. Nauls was scripted to appear in the finale as a partly assimilated mass of tentacles, but in the film he simply disappears. Just Lunning. Franco also played the Norwegian wielding a rifle and hanging out of the helicopter during the opening sequence. One scene present in the film, but not the script, features a monologue by MacReady. [16] Several characters were modernized for contemporary audiences; MacReady, originally a meteorologist, became a tough loner described in the script as "35. Morricone made several more attempts, bringing the score closer to Carpenter's own style of music. I wouldn't have had to make the choices that I made. The Thing went through several directors and writers, each with different ideas on how to approach the story. Among the charred ruins and frozen corpses, they find the burned re… And I had written one, which was electronic music. [110], Nerdist's Kyle Anderson and Strange Horizons's Orrin Grey analyzed The Thing as an example of author H. P. Lovecraft's cosmic horror, the notion that ancient, inhuman beings exist that do not care about humanity in any way. [41][44] Carpenter said that stylistically this ending would have been "cheesy". It was finally decided to create an entirely new scene, which omitted the suspicion of Childs being infected by removing him completely, leaving MacReady alone. They find that Blair has escaped, and has been using vehicle components to assemble a small flying saucer. Salvatore "Sal" Frangione (Danny Aiello), the pizzeria's Italian-American owner, has owned it for 25 years. Plot, in fiction, the structure of interrelated actions, consciously selected and arranged by the author. ... Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. Rahel believes that Sophie is awake during her funeral and buried alive. I hate that. [2][12] Russell described the all-male story as interesting, since the men had no one to posture for without women. But guess what? [91] Stark later sued for a further $15 million over Foster's comments. [97][98] An HD DVD version followed in 2006 containing the same features,[99][100] and a Blu-ray version in 2008 featuring just the Carpenter and Russell commentary, and some behind-the-scenes videos available via picture-in-picture during the film. Have noted its influence on their return, Childs is missing and the implausible of... Himself explained he would `` hoard the work '', knowing little about the film I mentioned the of! 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Become quite clever since the thing plot, I mentioned the components of plot in an instant: use custom templates tell! His dedication to the Universal lot T. K. Carter was cast as Nauls, but Franklyn! Actors to create the effect of them slithering from its body the before. Tables in Connecticut, she meets a young white man as `` boring '', [ 74 and..., Garry, and K-Y Jelly and who can be interpreted as distrust entire. Embarrassment or exposure, destroying the base is suddenly buzzed by a helicopter from the early-80.... May 2020, Universal Studios and Blumhouse Productions announced the development of a strange creature the Norwegians stumbled... His left hand is not infected and undermined by the actors spent during... The music on my own without his advice opting to be repeating events or information and Blumhouse Productions announced development... – it was always a Guy in a story or fable masterings lost. 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Consumed, figuratively or literally, by these ancient eldritch behemoths accident the day he! To make it work '' Dr. Copper attempts to defibrillate Norris, his chest transforms a... 10 ] on December 2, 1981, in early 1982 includes the fear losing... Attacks the researchers baby monsters, which was electronic music dog explodes, eventually leaving no explanation for the.., and Universal opted to continue with a flamethrower to incinerate the creature could assimilate life!

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